"2 States": A Magical North-South Love Story You Wish Wouldn't End

The thing about cultural stereotyping is that it very often does exist in exactly the forms that we see them exist in films and books. Chetan Bhagat's lively novel from which this film is adapted, harps on the stereotypes in a way where we don't see the characters as "types" but as individuals who conform to a type. This delectable game of slotting the individual is best illustrated by Krish's loud-brassy Punjabi mom who behaves likes a cross between Kirron Kher and what Vidya Balan in Rajkumar Gupta's "Ghanchakkar" would have been had she grown older and had a son.

Oh yes, Revathi as Ananya's graceful Tamil mother is also outstanding, though Amrita's performance would easily shout her down in the Who Is The Better Mother contest.

Amrita Singh's true-to-type Punjabi housewife's character (you know the kind who has given herself the liberty to say the most insulting things to people who are not like her) gradually melts down in the narrative as her dark secret shame - "a drunken abusive husband" - comes out in the open.

Ronit Roy, that fine actor is no stranger to playing the abusive father. It's amazing how empathetic he makes the discernibly brutish character in "Udaan" and now this film without taking the character's arc through the filmy range from villainy to repentance. Thanks to Roy's dignified damned Dad's act, "2 States" is as much a father-son story as a girl-boy thing.

Not every sequence works here. I found Revathi's singing performance (arranged by Krish) a little too syrupy and Alia's anti-dowry speech at a brassy Punjabi wedding a little too contrived.

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